Tag Archives: artist

I walked past a house where I lived once

 

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I walked past a house where I lived once:
a man and a woman are still together in the whispers there.
Many years have passed with the quiet hum
of the staircase bulb going on
and off and on again.

The keyholes are like little wounds
where all the blood seeped out. And inside,
people pale as death.

I want to stand once again as I did
holding my first love all night long in the doorway.
When we left at dawn, the house
began to fall apart and since then the city and since then
the whole world.

I want to be filled with longing again
till dark burn marks show on my skin.

I want to be written again
in the Book of Life, to be written every single day
till the writing hand hurts.

Yehuda Amichai

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Fine and Mellow / Billie Holiday

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My man don’t love me
Treats me oh so mean
My man, he don’t love me
Treats me awful mean
He’s the lowest man
That I’ve ever seen

He wears high-draped pants
Stripes are really yellow
He wears high-draped pants
Stripes are really yellow
But when he starts in to love me
He’s so fine and mellow

Love will make you drink and gamble
Make you stay out all night long
Love will make you drink and gamble
Make you stay out all night long
Love will make you do things that you know is wrong

But if you treat me right daddy
I’ll stay home every day
If you treat me right daddy
I’ll stay home every day
But you’re so mean to me, baby
I know you’re gonna drive me away

Love is just like a faucet
It turns off and on
Love is just like a faucet
It turns off and on

Some times when you think it’s on, baby
It has turned off and gone

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Love of Making

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Where is joy? I’ve been struggling with this. Studying art as an undergraduate can make you either a robot for craft or concept. And even if you excel at both something feels missing. I think it’s love.

I’ve never attended a critique where the love an artist puts into a piece is discussed or perceived. Instead we drill down into the formal and conceptual aspects of the piece. I think people get uncomfortable with love. And talking about love under the umbrella of art feels ambiguous.

Recently I had a conversation with a friend and they left me with this quote from Rainer Maria Rilke’s “Letters to a Young Poet”:

“You ask whether your verses are any good. You ask me. You have asked others before this. You send them to magazines. You compare them with other poems, and you are upset when certain editors reject your work. Now (since you have said you want my advice) I beg you to stop doing that sort of thing. You are looking outside, and that is what you should most avoid right now. No one can advise or help you – no one. There is only one thing you should do. Go into yourself.”

So what I’ve been insisting myself to do is this: encourage my love for making. My love for putting pen to paper. My love for thinking. My love for the process. My intense desire to create a window to the world.

So to all the artists and tender creatures out there; peace be with your heart, soul and weary hands.

Go get your love back!

-paris

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A Letter to Rejection

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Rejection isn’t something we want to talk about, it’s embarrassing. We don’t like knowing that someone thought we weren’t capable enough.

I recently applied to a degree program. It was like a “DIY” degree program of sorts. I was so sure that this was the program that would solve all of my problems and answer all my questions about how to turn my interests into a job.

I slaved away on my application for months, talking with the director of the program, different professors and students trying to formulate a kickass curriculum for myself.

The day finally came for my interview. I walked in with confidence and spoke with confidence. I laid all my cards on the table, showing my portfolio and everything I have ever been involved in and why.

I thought I had done splendidly. And then two hours after the interview I was in class when I received and email saying that I was not accepted into the program. I walked at warp speed to the bathroom and sobbed in a stall, calling my mom repeatedly until she answered.

I had never experienced rejection like that. What was I going to do? I was so sure that plan A would work out I hadn’t even thought to formulate a plan B.

After having a sad day I woke up the next day furious. I wanted so badly to march up to the committee that interviewed me and say, “You missed out!” Alas, I didn’t. It was just a wonderful daydream that helped me deal with my feelings.

Just like most experiences (good or bad) I learned a few things.

First, feel what you’re feeling. Get mad and say a bunch of words your mama wouldn’t approve of.

Second, accept that some people won’t see your vision, as you know it is.

Third, know that you have a right to affirmation. For some reason we’ve got it stuck in our heads that looking for affirmation is “weak.” Well, I’m tellin’ you it ain’t. It’s called being a human.

And lastly, remind yourself to keep doing, keep making mistakes and keep getting rejected, its bound to be acceptance eventually.

-paris

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Taking Flack

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You’re studying art? But how are you going to make a living?”

SStahhhp this!

Why do we keep asking artists this question?

If I counted how many times I have been asked this question and gotten the “look” that comes along with it I could….I don’t know…But main point, is that artists are bombarded with this question. And BELIEVE ME we are already thinking and worrying about it. Why reinforce that self-doubt? Artists know that their profession includes daily risk taking.

I recently attended an art lecture given by the artist Sharon Louden and she said point blank that “It takes a community to be an artist.” Hell yeah. And not just a community of artists, it takes all types; left-brainers and right-brainers alike.

And so with that being said I speak to everyone, lets become a community of challengers, motivators, appreciators, lovers, and thinkers.

-paris / art by patrick bremer

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Resistance and Self-Doubt

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Self-doubt can be an ally. This is because it serves as an indicator of aspiration. It reflects love, love of something we dream of doing, and desire, desire to do it. If you find yourself asking yourself (and your friends), “Am I really a writer? Am I really an artist?” Chances are your are.

The counterfeit innovator is wildly self-confident.

The real one is scared to death.

By Steven Pressfield, The War of Art

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Knock Knock

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“Don’t play what’s there, play what’s not there.” Miles Davis

We all begin as children. Playing.  Wondering.  Exploring.  Touching.  Curiosity is sparked by anything and everything. The world around us invites us.  Children know this.  They teach us that nothing is boring, really. Everything has the potential to excite, reveal, enliven.  But only if you can see what’s really there.  As artists we need that unending interest to survive. We thrive on thresholds.  We need to find the chipped paint on the frame of an old door and say, “that looks like an elephant!” not, “dang I need to repaint this door.” Every fold, crease and crinkle in life holds a story. Artists and children know this and depend on this!

Monks and Mannequins is about beauty, the beauty in us, on us, around us, among us and all about us.

christopher & paris

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